This can only be achieved by allowing the characters to shed everything that stands between them. They begin to see each other, and their experience, for what they and it truly are. As the story progresses, while the women remain unclothed, they become more comfortable with one another and their guards begin to fall. The first moments during which the women stand before each other, undressed and vulnerable, they are unable to hide anything – physically – from one another, and yet this is when their walls are up and the most is being concealed. That the women are mostly (if not entirely) naked throughout the film helps not only heighten the initial intimacy and eroticism of the story, but also acts as a desensitizer as the story unfolds. While I would argue that a large part of the film rests in its play on tactile, explicit sexuality, I think director Julio Medem also wants to feed your mind. With so much explicit sex, will the experience of Room in Rome simply leave its audience in a visceral state? The plot becomes driven less by the sexual attraction and curiosity passing between the women and more by their emotional interplay as the two begin to open up with one another. Room in Rome is a film often enough described as the lesbian Last Tango in Paris, but it thumbs its nose at it, defying the relative ease of being classified as just an erotically-charged film trying to cash in on a lesbian-centric theme. Is it, any of it, real or is it all fantasy? Part of the seduction of Room in Rome is that you can never tell if what the characters are sharing with one another is real or fantasy – which is really the heart of the film. The women start their night together by sharing stories, richly layered in fiction and subterfuge, until finally, at last, they begin to trust one another with their darkest secrets. What transpires once the door is closed behind them begins as a harmless sexual encounter. They both know there’s something there, between them.
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She’s never done this before and she’s not shy about letting Alba know, every chance she gets. Reluctant, but strangely, inextricably attracted to Alba, Natasha accepts.
#Natasha yarovenko room in rome skin#
Starring Elena Anaya (who would star the following year in the highly provocative The Skin I Live In opposite Antonio Banderas) as “Alba” and Natasha Yarovenko (possibly best known for her television role as “Romina” on Lalola) as “Natasha”, the film posits what would happen between two women, tucked away from the prying eyes of the world, if they were to share a room in Rome for one night.Īfter a chance encounter at a club, Alba convinces Natasha to come up to her hotel room. It’s hard to complain about the bed-death of lesbian cinema when films like Julio Medem’s Room in Rome surface. Room in Rome is the 2010 Spanish erotic romance film directed by Julio Medem starring Elena Anaya as Alba and Natasha Yarovenko as Natasha/Dasha. And it can’t be for nothing.”Ī hotel room in Rome is the setting for a chance encounter between two beautiful, young women who find themselves inescapably attracted to one another. “Never before, in my whole life, I’ve known a love like this.