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But De La Soul regrouped with producer Prince Paul and went even further down the rabbit hole to make De La Soul is Dead. Demoralization like that might have broken a lesser crew. The group’s brilliant debut was hammered by a high-profile lawsuit over samples. The aftermath of 3 Feet High and Rising could have ended De La Soul.
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Stetsasonic’s second album, In Full Gear, has more political statements like “Freedom or Death” slotted alongside party jams like “Sally” and “DBC Let the Music Play.” “In Full Gear” is a 77-minute double album but it never feels overstuffed it’s a lean, dynamic showcase of a band finding its sound. All these aspects coalesced perfectly on “Talkin’ All That Jazz,” a triumphant deep groove refute of anyone who tried to argue that hip-hop was more menace to society than legitimate art form. The Brooklyn hip-hop band even acknowledged potential pronunciation issues on its debut single, “Just Say Stet.” Less a pure hip-hop band like The Roots would eventually become, Stetsasonic blended live instruments, beat-boxing, scratching and sampling to provide MCs Daddy-O, Delite and Frukwan with a colorful palette on which to sketch out social and political commentary.
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Stetsasonic is a hard word to say out loud - a pitfall of having to update a cowboy hat-themed name to fit a new image. The label’s dance music ethos instilled a sense of joy within so many of its essential releases and ensured that nearly any album from the Tommy Boy discography is a guaranteed party starter.
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Tommy Boy Entertainment still pumps out releases but the label remains best known for the albums it helped launch during its first three decades of existence. Records, the label grew into a home for hip-hop smashes like Coolio’s “Gangsta’s Paradise” along with electronic (808 State), synth-pop (Information Society) and lots of other pop, rock and dance artists. After Tommy Boy agreed to partner with Warner Bros. Founder Tom Silverman, after years of running Dance Music Report, borrowed $5,000 from his parents to launch his own New York City-based label that would go on to become a pioneer in mashing electro up against hip-hop and soul, and launched the careers of Prince Paul and De La Soul. Tommy Boy came into this world as a 12-inch singles-only dance music label. Coincidentally, the label has lived through three distinct eras. Take away the words Tommy Boy and the famous record label’s logo is still instantly recognizable: three silhouetted figures frozen in motion, one of them completely inverted.